© Amber Williams-King

These five pieces provide entryways into many different ways of thinking about abolition and theatre. Workshopping Intervention is a report where two writers attempt to share the voices of a dozen theatre artists as they grapple with what abolition means for theatre. Theatre as Healing for Formerly Incarcerated Women reflects on the present role of art in treating the wounds of the prison industrial complex. Two short films, Somatic Abolition and Land and Abolition: A Love Story each consider the ways in which our bodies and the land carry knowledge about care, healing, and community justice. In her lyrical essay On Turtle Island, I learned to be as alive as possible, writer and scholar Yasmine Espert ruminates on what it means to bring abolitionist praxis into creative work.