© Gérard DuBois
Upcoming events
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In-person
Faire le bien Faire le bien Faire le bien
The 2024 Collective takes the stageFrançois Archambault and Gabrielle Chapdelaine specifically created this vitriolic text for fiery theatre graduates, who delight in using twisted morality and uncomfortable dialogues to criticize our toxic positivity and other seemingly compassion-driven acts.…
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In-person
Peau d’âne Peau d’âne Peau d’âne
A feminist fairy tale on stageThis theatre dreamscape portrays an astounding metamorphosis, a moulting: the tale of a woman on a quest for her true skin, a skin the colour of freedom. Astoundingly, the many characters in this reinvented fairy tale are all portrayed by two magnetic performers: Sophie…
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In-person
This powerful show for a singer and choir singers was created based on the vitriol constantly spewed at Safia Nolin. The mirror doesn’t just show the image of an inspiring artist grappling with her identity; it also shows the terrifying reflection of our collective…
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In-person
This caustic comedy for neurotypical and neurodivergent performers tackles contemporary ethical issues, including the infamous “who can play whom,” as laid out by Pirandello a century ago. But instead of walking on eggshells to tiptoe around the answer, the…
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In-person
When a creative company known for films dredges up from the vaults of the past a masterpiece of theatre by filmmaker Pierre Perrault, it throws the audience onto the banks of the river, dreaming of half-obscured horizons. This bewitching maritime tale is directed…
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Maurice Maurice Maurice
A true story, performedThe breathtaking Anne-Marie Olivier plays Maurice Dancause, a man who, after a violent stroke, woke up a total stranger to himself. Everything he had taken for granted had to be relearned: speaking, eating, holding a spoon. With help from a conversation partner…
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In-person
Classique(s) Classique(s) Classique(s)
Theatrical brainstormA joyous exchange of ideas, eloquent and irreverent, about the works that have left their mark on Western theatre. A fantastic team of artists unabashedly plays with the ostentatious subject of what makes a “classic” to cast an “antiquatedly new”…
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This outlandish epic, which borrows as much from the history of Jesus as it does from pop culture, is a two-part work in the style of a hyperactive kaleidoscope. Dance, theatre, kung-fu, mime, song, lip synching: every performing art on stage at once to tell the tale…
